【译文】Tom在宣传群岛时给Timeout做的采访和我的翻译

Since ‘Unrelated’, Hiddleston has been busy in front of the camera and Hogg has been busy winning acclaim for her first film and planning a second. Impressively, Hiddleston already has films by Terence Davies (‘The Deep Blue Sea’), Kenneth Branagh (‘Thor’), Woody Allen (‘Midnight in Paris’) and Steven Spielberg (‘War Horse’) in the can. None of which stopped him returning to work with Hogg on ‘Archipelago’, which opens next week and again explores territory of upper-middle-class personal and family discord.
“不相关”之后，Hiddleston忙于拍片，而Hogg忙于收获因她的第一部影片赢得的赞誉，并且计划她的第二部影片。令人毋庸忘却的，Hiddleston已经为诸多名导演拍摄影片：Terence Davie（蔚蓝深海），Kenneth Branngh（雷神），Woody Allen（午夜巴黎）和Steven Spielberg（战马）。这一切都无法阻止他回归Hogg加入“群岛”，该片将于下周上映，讲述的仍然是中上层阶层的人与家庭的危机。
Set and shot entirely on Tresco, in the Isles of Scilly, ‘Archipelago’ is another portrait of people on holiday. This time, Hiddleston is Edward, the elder of two siblings on a break with their mother but without their father, whose absence distresses them all. Dysfunction rules the roost as Edward puts on a brave face, rain lashes against their holiday home and a hired cook tip-toes through the emotional minefield of this family.
拍摄地点和场景在锡利群岛的特雷斯科。“群岛”是另一幅人们度假的肖像，这一次，Hiddleston是Edward，两个孩子里的老大，在他们父亲不在的情况下，和母亲一起度假。父亲的缺席是所有人都很烦恼。当Edward勇敢面对，雨水冲刷着的度假别墅以及他们雇用的厨师，穿过家庭里感情的雷区，家居中充实着各种危机。
Tom, you must have enjoyed ‘Unrelated’ to come back again?
记者：Tom，你一定享受拍摄“不相关”才回来的？
Tom Hiddleston ‘Yes, “Unrelated” was my first ever film. I think you knew that at the time, Joanna?’
Tom：没错，“不相关”是我第一部电影。Joanna,你那时候就知道，对吧？
Joanna Hogg ‘Yes, I knew it and wasn’t remotely worried.’
Joanna：对，我知道但绝对不担心。
TH ‘I wasn’t either, oddly.’
Tom：我也不担心，奇怪。

Joanna, the family in ‘Unrelated’ might once have been dysfunctional, but in ‘Archipelago’ we have a family that’s right in the middle of that state.
记者：Joanna,”不相关”里的家庭也许以前有过危机，但“群岛”里我们看到是一个正在危机中的家庭
JH ‘Completely, right in the heart of it, and that was my aim. I wanted to see all those mechanics under the microscope. Tom, Edward got under your skin, didn’t he? “Unrelated” was light-hearted, it was like you were on a holiday, but Edward is passive and has a great weight on top of him.’
Joanna：完全正确，正在危机中心，这也是我的着重点。我希望把这其中所有过程放大。Tom，Edward深入你心，对吗？“不相关”是轻松的，就像你去度假，但Edward是消极的，并且负担沉重。
Joanna, was Tom on your mind when you wrote ‘Archipelago’?
记者：Joanna，你写“群岛”时，你想象的就是Tom吗？
JH ‘We had a brilliant phone conversation in January 2009. I’d been thinking of doing a film about a young man struggling in a family – someone who was good but with guilt on his shoulders. I started talking to Tom and I wanted to know what it felt like being a 28-year-old man.’
Joanna：我们在2009年1月通过一次精彩的电话，我已设想拍一部关于年轻人在家庭中挣扎的影片-他是好人但有负疚感。我开始和Tom谈，并且我想知道一做个28岁的男人是什么感觉？
TH ‘Joanna asked direct questions. What keeps you up at night? What nags at the corners of your soul in darker moments? And the answers were about a struggle to be free, to define myself. That fed into Edward’s desire to do something different, something his family found ridiculous, laughable, objectionable, which is this volunteer service in Africa. I’ve always known what I wanted to do. But Edward doesn’t.’
Tom: Joanna问问题很直接。你为什么会夜里睡不着？在黑暗时刻里，什么会困扰在你的灵魂角落？并且答案是挣扎得到自由，去定义自我。这注入了Edward的理念，去做些不同的事，一些让他家庭认为荒谬可笑讨厌的事，去非洲做义工。我已经知道我想做的事，但Edward还不知道。

You actually lived in the house?
记者：你们真的住在那幢房子里？
JH ‘The actors did, and that’s no mean feat. Hearing Tom say that now, I feel a certain amount of guilt!’
Joanna：演员们真的住那。这不是功绩。听Tom现在说的，我现在都感觉有罪了。
TH ‘She was in a nice cottage down the road! The same thing happened with “Unrelated”. I shared a room with the two other teenagers. Immediately there’s a chemistry because you wake up and go to sleep together. On “Archipelago”, it was intense, especially when the story takes a turn for the dark side.’
Tom:她住在街底的一座漂亮的小屋里。在“不相关”里也是同样的。我和另外两个青少年同住一室。因为你们同起同睡，化学反应立即产生。在“群岛”里，非常深刻，特别当故事向黑暗方向发展时。
Tom, you went off to shoot ‘Thor’ with Kenneth Branagh soon after.
记者：Tom，你那以后很快去和Kenneth Branagh去拍“雷神”了
TH ‘There were two weeks between the end of “Archipelago” and the beginning of “Thor” in Los Angeles.’
Tom：拍完“群岛”到在洛杉矶入组“雷神”间隔2周。
Then came ‘War Horse’ with Steven Spielberg and then a Woody Allen. How easy was it to adapt?
记者：然后Steven Spielberg的“战马”以及Woody Allen, 很容易适应吗？
TH ‘I love the variety. You take the director’s lead. I ask a lot of questions – probably too many! “Give me a book to read, give me a film to watch, help me to understand…” With some people you don’t have to ask. With Steven Spielberg, you know what you’re signing up to.’
Tom：我喜欢多样化。你接受导演的领导。我会问很多问题，也许太多！给我推荐一本书去读，让我去看某部电影，帮我理解……。和Steven Spielberg，你不需要问。你知道你签的什么约！
JH ‘The first thing I asked Tom to read before “Archipelago” was Dostoevsky’s “The Idiot”, before I’d even written a word. Tom, there was one other work, which you suggested I look at… We don’t have to mention it… [whispers] “The Snowman”.’
Joanna：在“群岛”之前，我让Tom读的Dostoevsky的“傻瓜”，那时我还没动笔呢。Tom，还有你推荐的，我去看另外一本书，我们这里得提一下【口哨】“雪人“

TH ‘Oh, “The Snowman”, absolutely! I don’t know how I came to think of it. I think I’d watched it recently and Edward was swimming around in my head. It’s beautiful.'
Tom:噢，“雪人“，没错。我不知道我如何想起它来了。我那阶段正好看到，而且Edward在我脑海里浮现。很漂亮。

JH ‘I thought it was spot on.’
Joanna: 我认为是完全精确的。
TH ‘I saw this boy and thought: Edward is this boy grown up. So those pyjamas Edward wears are those pyjamas from “The Snowman”. I don’t wear those pyjamas! It helped when we went around getting costumes from charity shops in west London.’
Tom:我看到这个男孩想到：Edward是这个男孩的长大版。所有Edward的睡衣是“雪人”里的睡衣。我自己不穿那样的睡衣！这帮助很大，尤其是我们跑到伦敦西区的慈善商店去买的戏服。
Joanna, were you involved in that?
记者：Joanna，这你也参与了吗？
JH ‘I was very involved in that. There were certain clothes we found that were absolutely Edward.’
Joanna：我绝对参与了。有些特殊的衣服非常适宜Edward.
Tom, I can’t imagine you going round charity shops with Spielberg.

记者：Tom，我不能想象你和Spielberg一起去慈善商店。
TH ‘No, no! [Laughs] Picking my khaki gear for “War Horse”… But it’s a good way of getting your arms around a project. It’s wonderful when you have a huge costume budget and someone tailors your clothes to your exact measurements. But it depends on your level of vanity, whether you worry about how you’re going to look. I respect actors who are true to the character rather than themselves.’
Tom：不会，不会【笑】，在“战马”里我穿绿军装。但这有助于自己入手。如果你有服装的高预算，并且有裁缝给你量体裁衣是很好。但这和你的虚荣程度有关，你是否在意你会是什么样。我尊重那些对角色比对自己更真实的演员。
JH ‘That sort of vanity wouldn’t work with our method, I don’t think.
Joanna：那种浮华用我们的方法行不通的。我想不行。

后记：采访到此结束，希望大家喜欢。欢迎多提宝贵意见。

马

感谢翻译!!

感谢EvchenKi君的辛苦翻译和分享........

这几天正好一直在听各个版本的《Walking in the air》，总是想到Edward的那身蓝白条纹睡衣，和永远迷茫的双眼和压抑的姿态。
谢谢darling辛苦翻译，正打算下周开码群岛的评，这个报道太有价值了。2008~2012年初之间的很多报道信息量都很大，很有深度，能为理解他之前的作品和状态提供太多有用的东西。

感谢楼主的翻译~一边看原文，一边看译文，看起来轻松多了~（不好意思，额就是懒人一个~

感谢EvchenKi君的辛苦翻译和分享........
不敢看这部电影。

谢谢EvcheKi姐的辛苦！送玫瑰和茶。不忍心看的电影，只能先等注册姐的评论了 。