前几段是讲导演的话，和之前发的雷同，所以这里就不重复贴中文翻译版的了，就来贴个上次想贴的正儿八经的英文版，母鸡那贴死都不让我发大段英文，非谷歌翻译波兰文版
“FINSTERWORLD,” says director Frauke Finsterwalder, “kind of began when we looked at the German Autobahn; millions of people in perfect, sleek German silver or black cars, legally driving at 280 km an hour or faster, and we felt that the Autobahn was a gigantic death machine, somehow related to another German death machine, the holocaust. And we wanted to make a contemporary film about that, although we didn’t know how to connect the two.”
“And then other themes came up, like how absolutely everything is organic nowadays, and that there is this totally fake and created need for recyclable stuff, a control over what you eat and which lightbulbs you use, and also that no one really touches or hugs anyone anymore. People have created these shells and armors around themselves, like fur suits, which play a big a part in the film. We tried to imagine what it would be like to inhabit this world, or if we perhaps already live in it.”
“So we thought about this for a while, and then gradually, these characters began to emerge, outsiders really, who are not able to cope with the system. And when they came, they were funny and charming and beautiful and completely dysfunctional at the same time. And they didn't have Facebook, or super nice cars, but they were very lonely and full of love, and they didn't fit in at all, and mostly they just believed in being good. And that was it really; this huge oppressive system opposed by a couple of bewildered characters who have been raised by society to think they are ordinary and mediocre but quite rightly suspect they are not.”
“FINSTERWORLD,” says director Frauke Finsterwalder, “kind of began when we looked at the German Autobahn; millions of people in perfect, sleek German silver or black cars, legally driving at 280 km an hour or faster, and we felt that the Autobahn was a gigantic death machine, somehow related to another German death machine, the holocaust. And we wanted to make a contemporary film about that, although we didn’t know how to connect the two.”
“And then other themes came up, like how absolutely everything is organic nowadays, and that there is this totally fake and created need for recyclable stuff, a control over what you eat and which lightbulbs you use, and also that no one really touches or hugs anyone anymore. People have created these shells and armors around themselves, like fur suits, which play a big a part in the film. We tried to imagine what it would be like to inhabit this world, or if we perhaps already live in it.”
“So we thought about this for a while, and then gradually, these characters began to emerge, outsiders really, who are not able to cope with the system. And when they came, they were funny and charming and beautiful and completely dysfunctional at the same time. And they didn't have Facebook, or super nice cars, but they were very lonely and full of love, and they didn't fit in at all, and mostly they just believed in being good. And that was it really; this huge oppressive system opposed by a couple of bewildered characters who have been raised by society to think they are ordinary and mediocre but quite rightly suspect they are not.”
两位翻译帝和资源帝再现。。
辛苦两位了~ 期待Kuba新作~
